See/Hear
Kenji Bunch
“Apocryphal Dances is an apt title for this five-movement suite in an “old” style, which is to say each of the movements, two to three minutes long, is presented with a baroque title and structure. Both the first two (Entrée Grave and Rigaudon), in the same key, end with a pizzicato pluck from all four instruments. The third-movement Pasacaille sports a wonderful glissando upwards. The Musette that follows emulates its title by evoking a bagpipe-like drone, and the closing Tambourin asks the violist to tap on the back of his viola as if it were a drum. Although Mr. Bunch has referred to his piece as a “love letter to the 18th and 19th centuries,” the amour resides mainly in the forms. The musical harmonic language, tonal throughout, is thoroughly modern. Apocryphal Dances is a small (12 minutes) but potent addition to a very impressive oeuvre.”
– OR Artswatch